When I was in grad school I took a Dickens seminar, and it
was awesome. Not only did I have
incentive to read a bunch of long novels (which I instinctively shy away from),
I enjoyed learning about the author in a way one doesn’t get to outside a Major
Authors course. There were biographical
tidbits throughout the semester, and I left with the feeling that Dickens was
someone I would have liked, despite his foibles. The thing I loved the most about him was that
he was characterized as a rock star, drawing huge crowds, and doing public
readings in the way one thinks of concerts today. He had fans clambering for the next installment of his novels the ways we impatiently wait for our favorite bands' new releases or anticipated sequels to movies.
It also made me nostalgic for a time I never knew—when an
author could have that status. I’ve been
to book readings and signings, and they’re always modest but wonderful moments,
perhaps the more wonderful for their intimacy. But I’m never under the illusion that books are as powerful a draw as
musicians or movie stars. I’m still
not. But I was pretty close last
Thursday night.
I took my family to see “An Evening with Neil Gaiman” at the
Segerstrom Concert Hall, which seats close to 2000. It was pretty full. I had no idea what to expect. Would he read? Would he chat? Did he have a performance shtick? Incidentally, it’s hard to sell an outing to
teenagers without really knowing what to expect. They’re well-behaved, but they were…
reluctant. They both would have stayed home if that had been an option. But they both had a great time.
It turns out “An Evening” means some reading, some impromptu
chatter, and some responding to question cards that audience members filled out
before the show. In all, Gaiman read
seven pieces, from a chapter out of his retelling of Norse Myths to a poem he
wrote after visiting a Poetry Brothel for his stag party. There was even an encore piece. We clapped; we stood; we sat back down, and
he read one more short story. It was
utterly delightful.
I left heartened about a world that seems to be super digital,
but wherein crowds still form to hear stories. They cheered for him when he mentioned his books and their success, and
they cheered when he told a story about his toddler son. They listened, rapt, when he discussed the
serious shift in culture from when his novel American Gods was written, and why and how it’s become contentious
in an atmosphere of recent travel bans and immigration issues.It was a wonderfully human evening.
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